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2CVF - #2 COLOR VIEWING FILTER
Balancing lighting by eye is a matter of experience. Decisions can be aided through the use of contrast viewing filters. These are designed to handicap the eye, with its much greater range of apparent densities, to resemble the range of the various types of film. Use contrast viewers to judge relative highlight and shadow densities. There are viewers for black-and-white film, as well as various viewer densities for color film. A darker viewer is used for slower film speeds, where you would tend to use brighter lighting. Faster film, which can be used in dimmer settings would require a lighter viewer.
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44LC18 - 4X4 LOW CONTRAST 1/8 FILTER
Controlling contrast is difficult in bright sunlit exteriors. Exposing for either highlights or shadows will leave the other severely under-or over-exposed.
Low Contrast filters create a small amount of "localized" flare near highlight areas within the image. This reduces contrast by lightening nearby shadow areas, leaving highlights almost unchanged.
Brochure , PDF
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44CGN3S - 4X4 CLR/ND.3 GRAD SE FILTER
Color-Grad® Neutral Density Filters
Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.
To discuss at a forum
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44CGN6S - 4X4 CLR/ND.6 GRAD SE FILTER
Color-Grad® Neutral Density Filters
Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.
To discuss at a forum
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44CGN9S - 4X4 CLR/ND.9 GRAD SE FILTER
Color-Grad® Neutral Density Filters
Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.
To discuss at a forum
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44SKY - 4X4 SKY 1A FILTER
Safeguard your lens and absorb UV light. Film and video are more sensitive to UV light than our eyes are. This often shows up as a bluish cast in images, especially shots from high altitudes and long distances, particularly over water. Ultra Violet filters are available in a variety of UV absorption levels.
To discuss at a forum
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W44UCP - 4X4WTR/WHT ULTRA POL CIRCULAR
Polarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.
Brochure , PDF
To discuss at a forum
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44WSFX3 - 4X4 WARM SOFT/FX 3 FILTER
Soft/FX®
The Soft/FX series has a pattern of tiny lenslets designed specifically to put fine image elements, like wrinkles and skin blemishes, out of focus while leaving larger details such as the eyes, sharp. Lighter densities are very subtle, producing virtually no flare from highlights or reduction in contrast. The higher densities work harder to minimize facial imperfections and provide a more pleasing portrait.
Brochure , PDF
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W45650UCP - 4X5.650 WTR/WHT ULTRA POL CIR
Polarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.
Brochure , PDF
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44DVFLK - 4X4 FILM LOOK DV KT W WST PACK
Create a new look with the "secret tools" of the movie industry! Tiffen brings you DV kits that take the guesswork out of which filter to use in a variety of shooting situations. These kits are designed primarily for professional shooters using prosumer DV cameras to produce results that are more pleasing, less harsh and less brassy.
more detailed »
To discuss at a forum
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44DVFMK3 – 4x4 DV Film look Kit 3
Create a new look with the "secret tools" of the movie industry! Tiffen brings you DV kits that take the guesswork out of which filter to use in a variety of shooting situations. These kits are designed primarily for professional shooters using prosumer DV cameras to produce results that are more pleasing, less harsh and less brassy.
more detailed »
To discuss at a forum
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45650DVFLK – 4x5,650 DV Film Look Kit 3
Create a new look with the "secret tools" of the movie industry! Tiffen brings you DV kits that take the guesswork out of which filter to use in a variety of shooting situations. These kits are designed primarily for professional shooters using prosumer DV cameras to produce results that are more pleasing, less harsh and less brassy.
more detailed »
To discuss at a forum
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4565DVFMK3 – 4x5,650 DV Film Look Kit3
Create a new look with the "secret tools" of the movie industry! Tiffen brings you DV kits that take the guesswork out of which filter to use in a variety of shooting situations. These kits are designed primarily for professional shooters using prosumer DV cameras to produce results that are more pleasing, less harsh and less brassy.
more detailed »
To discuss at a forum
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